• it pays to shoot an image vertically and horizontally. Dave Hoefler/Unsplash
    it pays to shoot an image vertically and horizontally. Dave Hoefler/Unsplash
  • Be as prepared as you can be for bad weather. Nick Scheerbart/Unsplash
    Be as prepared as you can be for bad weather. Nick Scheerbart/Unsplash
  • Try a fresh take on an iconic setting. Photoholgic/Unsplash
    Try a fresh take on an iconic setting. Photoholgic/Unsplash
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If you're planning on entering our Wilderness Photographer of the Year, presented by Mountain Designs, you'll want to hear from our judges on what they're looking for in a winning shot and also other hot tips.

So first up we have Julie Fletcher.

Be as prepared as you can be for bad weather. Nick Scheerbart/Unsplash
Be as prepared as you can be for bad weather. Nick Scheerbart/Unsplash

What’s the best way to get good photos if there is bad weather – i.e rain and wind?
Planning is the key....for both yourself and your gear. In the wind a sturdy tripod is essential and for rain waterproof everything in your bag and on the tripod. Rain covers are essential as are lens hoods. I don't bother with any filters in the rain I just keep it simple to reduce impact of say ocean spray or heavier rain. Sometimes a small umbrella can help too but only when there is no wind. I also carry lens wipes always. At the end of the day it's a judgment call how much is too much and call it and maybe wait it out somewhere dry and warm.

 

it pays to shoot an image vertically and horizontally. Dave Hoefler/Unsplash
it pays to shoot an image vertically and horizontally. Dave Hoefler/Unsplash

What are the elements in a scene that would determine if I should shoot vertically or horizontally?
If there is a strong element in the foreground of a composition I would generally choose a vertical format as primary but I always do both generally. You may have a less interesting background and a nice strong element in the foreground also which is a nice time to try a vertical. My advice is just do both that way you have choices and you also have thought about how to make it work in both formats. You will be surprised how many shots you can get from one scene in both formats when you slow down and challenge yourself.

 

Try a fresh take on an iconic setting. Photoholgic/Unsplash
Try a fresh take on an iconic setting. Photoholgic/Unsplash

What are you looking for in a Wilderness Photographer of the Year finalist?
Something unique or fresh or just a fresh take on a well-known subject. If you are going to include an iconic subject, really think about a unique composition and the light to make it your own special shot. Be mindful with your editing as there is nothing worse than oversaturated colours competing with each other. Less is more.

Click here to enter our Wilderness Photographer of the Year and remember our Early Bird entries closes on Sunday June 16!

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